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2010 Seminars...
2010 Schedule (Our Schedule is available for download)
PLEASE NOTE!
Tour at Winterthur Museum,always a highlight, is now added. Check out this fantastic opportunity!!!!
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March 13-14:
Build a
Federal Dressing Glass, Part IV, with Steve Latta,
The completion of this fabulous Federal project with Steve.
Students provide their own tools and lumber, as recommended.
May be an extra Materails Fee. Class begins at 9am. Cost is $300.00.
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March 27-29:
Build the Rococo carving extravaganza Reifsnyder
Easy Chair, Part I, with Gene Landon. c 1765-70.
In "American Rococo", 1750-1775 page 210,
Morrison Heckscher says, "Only very occasionally were easy chairs
in Philadelphia made with carved seat rails and arms supports,
true essays in the rococo style. The ultimate inspiration for
the design of those elements appears to be the cabriole-leg
version of the "French chairs" in "The Director". A chair of
that type has carving that is the work of an altogether superior
and exceptional talent. All four legs end in naturalistic hairy- paw
feet, and the skirts are carved with sprightly foliage against a
diapered pattern and with a human mask, a great rarity in American
furniture, as in American silver)at the center front. Tips of the
leafage extend artfully over the upper-edge molding of the skirts.
Here is one of the greater moments in Philadelphia carving. It
can be attributed, with a reasonable assurance, to Hercules Courtenay,...
who worked for Benjamin Randolph." Project has 4 parts. Class
begins at eight o'clock.Cost is $600.00.Students provide their
own tools and lumber.
Photo: American Rococco, Morrison Heckscher pg. 210.
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April 17-18:
Vine and Berry with Steve Latta.
Instruction will cover both the basics and the more advanced
techniques of this unusual South-Central Pennsylvania decorative motif.
Though not unique to South-central Pennsylvania, this subtle decorative
technique embellished many beautiful pieces of furniture built in
this area and made the technique famous and highly sought after.
Associated especially with Chester County, this compass inlay technique
features holly and aromatic cedar berries inlaid into walnut with
curvilinear lines.Steve will teach and provide material to build
some of the necessary tools to implement this design.. He also
recommends that you purchase one or two of the new Lie Nielsen
Latta inlay tools. Even if you have taken the beginner courses
before with Steve, he will present additional information here to
help you advance your skill level. Always a great class. Materials
fee. Class is 9am-5pm. Cost is $300.00.
Photo: "The Pennsylvania Spice Box" Lee E. Griffiths pg. 117.
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April 24-26:
Build a very early Queen Anne Dressing Table,
Part I, with Gene Landon. c 1745-1755. This very early dressing
table is exquisite in its simplicity. It's very similar to a lowboy
that came out of the Fussell/Savery workshop in Philadelphia, a shop
patronized by Benjamin Franklin. It has one long drawer over two
short drawers, a beautiful serpentine skirt with a characteristic
Philadelphia whale's tail motif, cabriole legs ending in beautiful
trifid feet, and intaglio carved knees. The top is notched on every
corner and has a deep overhang. Students will provide their own tools
and material. Class is 8am-6pm. Cost is $600.00. Three part class.
Photo Courtesy of: www.benfranklin300.org
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May 1-2:
Carve a Philadelphia Ball and Claw Foot
with Bess Naylor. Teaching by demonstration first and
then students following, you carve your own leg to keep. This
technique has been refined by Master Gene Landon and is taught
here in the same manner. Learn how to efficiently and consistently
carve these definitive motifs with proper 18th century technique.
You may also wish to purchase Gene and Bess' booklet on how to
carve these feet.Students will provide their own tools
and material. Class is 9am-5pm. Cost is $300.00 plus a materials
fee unless you provide your own billet.
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May 21:
Tour the Philadelphia Museum of Art with
David DeMuzio Another precious opportunity to tour the PMA
with the always knowledgeable and so-ever-willing-to-share David
DeMuzio. We will examine furinture undergoing restoration there
as well as the Reifsnyder Easy Chair. Absolutely always a highlight
of the year! Price to be determined. Limited attendence.
Can carpool from Olde Mill.
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May 22-24:
Build the Rococo carving extravaganza Reifsnyder
Easy Chair, Part II, with Gene Landon. c 1765-70.
In "American Rococo", 1750-1775 page 210,
Morrison Heckscher says, "Only very occasionally were easy chairs
in Philadelphia made with carved seat rails and arms supports,
true essays in the rococo style. The ultimate inspiration for
the design of those elements appears to be the cabriole-leg
version of the "French chairs" in "The Director". A chair of
that type has carving that is the work of an altogether superior
and exceptional talent. All four legs end in naturalistic hairy- paw
feet, and the skirts are carved with sprightly foliage against a
diapered pattern and with a human mask, a great rarity in American
furniture, as in American silver)at the center front. Tips of the
leafage extend artfully over the upper-edge molding of the skirts.
Here is one of the greater moments in Philadelphia carving. It
can be attributed, with a reasonable assurance, to Hercules Courtenay,...
who worked for Benjamin Randolph." Project has 4 parts. Class
begins at eight o'clock.Cost is $600.00.Students provide their
own tools and lumber.
Photo: American Rococco, Morrison Heckscher pg. 210.
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June 5:
Sharpening Your Tools and Planes
with Tod Herrli, expert Planemaker.Tod has been building and
teaching planemaking for many years now and is an expert at
sharpening not only straight edges but the more complex profiles
as well. This one day will be spent focusing on the sharpening
aspects of tuning your hand planes, carving tools of all profiles,
edge tools and equally important, how to set up your sharpening
equipment. Tod has clarified a lot of sharpening misinformation
for me personally. I strongly encourage anyone who is not an
expert sharpener themselves, to come learn some invaluable tricks
and techniques from Tod. Bring along your carving tools and
hand planes for tuning and sharpening in class. No materials
fee. Cost of class $150.00. No materials fee.
Tod Herrli's website
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June 6-8:
Side Escapement Plane Making
with Tod Herrli, expert Planemaker.Basic Side Escapement Planemaking
Class with Tod Herrli. In this two day class, learn to design
and craft your own basic side escapement wooden molding plane
such as a hollow, round, thumbnail (1/4 or 3/8 radius), ovolo or
drawer bottom plane utilizing floats, chisels and hand saws.
Beginning to intermediate hand tool skills recommended. Material
fee $60.00. Class fee is $450.00.
Tod Herrli's website
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June 12-14:
Build a Pennsylvania German Shrank (Clothepress), Part I,
with Master Cabinetmaker Gene Landon. You will build your own
schrank,shrank,shonk in the historically correct method. You will
have many options and choices including size, embellishment, decoration,
feet and finish. Composed of three main sections: an independent,
elaborately molded cornice, an independent base, and demountable
sides.Pegged panel and frame construction, thick boards and
large wedged dovetails, beaded backboards. "The richest and most
complex form of furniture in Pennsylvania German inventories was
generally referred to in English as a clothespress. Because German
houses in the 18th century were built without closets in which to
hang clothing, virtually every home had a clothes press" page 160,
Benno Forman in "Arts of the Pennsylvania Germans". In "Pennsylvania
German Arts", page 58, author Irwin Richman says, "The most desirable
and luxurious furniture form that the traditional German family would
own was the Shrank or wardrobe. Occasionally it was delineated as the
"kleidershrank" or clothing wardrobe. The Shrank is similar in form
to the Dutch Kas and to the ubiquitous French-denominated armoire.
If you owned a Shrank , it would be kept in the best room where it
stood as a testimony to your affluence. The most traditional of
pieces often have ball fee while bracket or ogee feet are not uncommon.
The Interior of the Shrank is usually fitted with wooden hanging hooks
for clothing. Many are fitted one half for hanging and half with shelves.
Others contain all shelves. Truly a terrific opportunity to build an
outstanding piece of furniture that still retains many practical uses
in the modern household. Project has 3 parts. Class begins at 8am.
Cost is $600.00.Students provide their own tools and lumber.
Photo: Heritage Center Musuem of Lancaster County Schrank. Pennsylvania German Arts, Iwrin Richman pg. 59.
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June 26-28:
Carve a Queen Anne Cartouche with
Master Carver Gene Landon. Learn how to carve this exceptional
Philadelphia Queen Anne Cartouche. Originally on an outstanding
Desk and Bookcase from circa 1750 in Philadelphia, carving
attributed to Samuel Harding.
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July 10-12:
Build a Very Early Queen Anne Dressing Table,
Part II, with Gene Landon. c 1745-1755. This very early dressing
table is exquisite in its simplicity. It's very similar to a lowboy
that came out of the Fussell/Savery workshop in Philadelphia, a shop
patronized by Benjamin Franklin. It has one long drawer over two
short drawers, a beautiful serpentine skirt with a characteristic
Philadelphia whale's tail motif, cabriole legs ending in beautiful
trifid feet, and intaglio carved knees. The top is notched on every
corner and has a deep overhang. Students will provide their own tools
and material. Class is 8am-6pm. Cost is $600.00. Three part class.
Photo Courtesy of: www.benfranklin300.org
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July 24-26:
Build a Very Rare Early Philadelphia American
Tea Caddy with Gene Landon. Build your own! The Philadelphia
Tea Caddy was quite rare in the 18th century. Ours will sport
blind dovetails, three interior compartments, one hidden compartment,
one slider with hidden mote spoon compartment, ogee bracket feet
and an ogee shaped top. Approximate dimensions are 10" wide by 5" deep
by 8" high Students will provide their own tools and material.
Class is 8am-6pm. Cost is $600.00. One part class.
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August 7-9:
Build the Rococo carving extravaganza Reifsnyder
Easy Chair, Part III, with Gene Landon. c 1765-70.
In "American Rococo", 1750-1775 page 210, Morrison Heckscher says,
"Only very occasionally were easy chairs in Philadelphia made with
carved seat rails and arms supports, true essays in the rococo style.
The ultimate inspiration for the design of those elements appears
to be the cabriole-leg version of the "French chairs" in "The Director".
A chair of that type has carving that is the work of an altogether superior
and exceptional talent. All four legs end in naturalistic hairy- paw
feet, and the skirts are carved with sprightly foliage against a
diapered pattern and with a human mask, a great rarity in American
furniture, as in American silver)at the center front. Tips of the
leafage extend artfully over the upper-edge molding of the skirts.
Here is one of the greater moments in Philadelphia carving. It
can be attributed, with a reasonable assurance, to Hercules Courtenay,...
who worked for Benjamin Randolph." Project has 4 parts. Class
begins at eight o'clock.Cost is $600.00.Students provide their
own tools and lumber.
Photo: American Rococco, Morrison Heckscher pg. 210.
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September 11-13:
Build a Pennsylvania German Shrank (Clothepress), Part II,
with Bess Naylor. You will build your own
schrank,shrank,shonk in the historically correct method. You will
have many options and choices including size, embellishment, decoration,
feet and finish. Composed of three main sections: an independent,
elaborately molded cornice, an independent base, and demountable
sides.Pegged panel and frame construction, thick boards and
large wedged dovetails, beaded backboards. "The richest and most
complex form of furniture in Pennsylvania German inventories was
generally referred to in English as a clothespress. Because German
houses in the 18th century were built without closets in which to
hang clothing, virtually every home had a clothes press" page 160,
Benno Forman in "Arts of the Pennsylvania Germans". In "Pennsylvania
German Arts", page 58, author Irwin Richman says, "The most desirable
and luxurious furniture form that the traditional German family would
own was the Shrank or wardrobe. Occasionally it was delineated as the
"kleidershrank" or clothing wardrobe. The Shrank is similar in form
to the Dutch Kas and to the ubiquitous French-denominated armoire.
If you owned a Shrank , it would be kept in the best room where it
stood as a testimony to your affluence. The most traditional of
pieces often have ball fee while bracket or ogee feet are not uncommon.
The Interior of the Shrank is usually fitted with wooden hanging hooks
for clothing. Many are fitted one half for hanging and half with shelves.
Others contain all shelves. Truly a terrific opportunity to build an
outstanding piece of furniture that still retains many practical uses
in the modern household. Project has 3 parts.
Photo: Landis Valley Museum Schrank, Pennsylvania German Arts, Iwrin Richman pg. 58.
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September 18-19:
Build an American Federal Sideboard, Part I,
with Steve Latta.This project is on tempoary hold. More info to come soon!
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October 8:
"A Sneak Peek at Winterthur Museum's
2011 Southeastern Pennsylvania Furniture Exhibitition" with
Curators Wendy Cooper and Lisa Minardi. For those of you
who love early Colonial and especially early Pennsylvania furniture
- this is an opportunity you do not want to miss!!! We will have
the privledge to get behind the scenes information and current
research discovered from these two very knowledgeable and
hard-working curators as they prepare for the 2011 Exhibition.
They have been researching this topic for some time, and have
fascinating and new information to share. This Special Lecture
will then be followed by a 2-hour tour, entitled "Antiques and
Architecture", focusing on furniture. The Gardens and Gallery
are also available. We can carpool from Olde Mill or meet at
the Museum. This is truly an exceptional opportunity -don't
miss it!!! Cost is $85.00 per person.
October 9-11:
Build a Very Early Queen Anne Dressing Table,
Part III, with Gene Landon. c 1745-1755. This very early dressing
table is exquisite in its simplicity. It's very similar to a lowboy
that came out of the Fussell/Savery workshop in Philadelphia, a shop
patronized by Benjamin Franklin. It has one long drawer over two
short drawers, a beautiful serpentine skirt with a characteristic
Philadelphia whale's tail motif, cabriole legs ending in beautiful
trifid feet, and intaglio carved knees. The top is notched on every
corner and has a deep overhang. Students will provide their own tools
and material. Class is 8am-6pm. Cost is $600.00. Three part class.
Photos: Courtesy of www.benfranklin300.org.
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October 16-17:
Build an American Federal Sideboard, Part II,
with Steve Latta. Project on hold at the moment. More info to come soon.
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October 30:
Upholster a Period Slip Seat with
Master Upholsterer Ralph Dermotta. Students will be given direction
to upholster their own slip seat. Ralph will give an introduction
to upholstery designs as well as an overview of upholstery methods
of the 18th century. He will also discuss fabrics and use of natural
supplies. Participants will bring the slip seat frame already
constructed. If possible, also bring a top fabric of your choice,
about 27" x 24" per slip seat. Bring a tape measure and fabric
shears, if possible. Ralph will provide Web stretcher regulators
and a 4 inch needle per student. A magnetic upholstery hammer
can be ordered in advance. Ralph will also supply - for the day-
at a cost of $10 a seat - burlap, webbing, twine, cotton batting,
muslin, hair, tacks, and cambric. This will be a limited class.
Ralph has been an upholster with special knowledge in 18th-century
American furniture during a long and successful career. We have
been very fortunate to have his knowledge accessible, but as he has
eased into semi-retirement, he will be less available. He has
graciously agreed to teach us the very basics of 18th-century
American furniture upholstery , beginning with this class.
Cost is $125.00.
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November 6-9:
Build a Windsor Chair with Instructor/Author Jim Rendi.
Join us for a great opportunity to make your own Windsor Chair.
Jim has extensive experience in making Windsors, in the same manner as the originals were made.
You will learn how to rive the wood, steam bend and construct these sweet chairs just as
the chairmakers of old. Jim will provide turnings and material.
Cost is Class begins at 9am. Specific chair to be determined, soon, with picture!
Photo: Philadelphia Lowback Windsor Chair, The Windsor Style in America, Charles Santore. pg. 77.
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November 13-15:
Build the Rococo carving extravaganza Reifsnyder
Easy Chair, Part IV, with Gene Landon. c 1765-70.
In "American Rococo", 1750-1775 page 210, Morrison Heckscher says,
"Only very occasionally were easy chairs in Philadelphia made with
carved seat rails and arms supports, true essays in the rococo style.
The ultimate inspiration for the design of those elements appears
to be the cabriole-leg version of the "French chairs" in "The Director".
A chair of that type has carving that is the work of an altogether superior
and exceptional talent. All four legs end in naturalistic hairy- paw
feet, and the skirts are carved with sprightly foliage against a
diapered pattern and with a human mask, a great rarity in American
furniture, as in American silver)at the center front. Tips of the
leafage extend artfully over the upper-edge molding of the skirts.
Here is one of the greater moments in Philadelphia carving. It
can be attributed, with a reasonable assurance, to Hercules Courtenay,...
who worked for Benjamin Randolph." Project has 4 parts. Class
begins at eight o'clock.Cost is $600.00.Students provide their
own tools and lumber.
Photo: American Rococco, Morrison Heckscher pg. 210.
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December 4-5:
Build an American Federal Sideboard, Part III,
with Steve Latta. This class is also on temporary hold until more info is determined.
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December 11-13:
Build a Pennsylvania German Shrank (Clothepress), Part III,
with Bess Naylor. You will build your own
schrank,shrank,shonk in the historically correct method. You will
have many options and choices including size, embellishment, decoration,
feet and finish. Composed of three main sections: an independent,
elaborately molded cornice, an independent base, and demountable
sides.Pegged panel and frame construction, thick boards and
large wedged dovetails, beaded backboards. "The richest and most
complex form of furniture in Pennsylvania German inventories was
generally referred to in English as a clothespress. Because German
houses in the 18th century were built without closets in which to
hang clothing, virtually every home had a clothes press" page 160,
Benno Forman in "Arts of the Pennsylvania Germans". In "Pennsylvania
German Arts", page 58, author Irwin Richman says, "The most desirable
and luxurious furniture form that the traditional German family would
own was the Shrank or wardrobe. Occasionally it was delineated as the
"kleidershrank" or clothing wardrobe. The Shrank is similar in form
to the Dutch Kas and to the ubiquitous French-denominated armoire.
If you owned a Shrank , it would be kept in the best room where it
stood as a testimony to your affluence. The most traditional of
pieces often have ball fee while bracket or ogee feet are not uncommon.
The Interior of the Shrank is usually fitted with wooden hanging hooks
for clothing. Many are fitted one half for hanging and half with shelves.
Others contain all shelves. Truly a terrific opportunity to build an
outstanding piece of furniture that still retains many practical uses
in the modern household.
Photo: Wright's Ferry Mansion Schrank, Wright's Ferry Mansion, The Collection, Meg Schaefer, Joe Kindig. et al. pg. 145.
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PLEASE NOTE!
All Gene Landon Classes have a NEW time table!
In an effort to continue to provide sufficient time and quality
time with Gene, balanced with my personal time schedule, all of
Gene's Classes will begin at 8am, go to 6pm on Saturday and Sunday.
Mondays will go from 8am to 12pm. Shop MUST vacated by 1230.
Seminar Registration, Please read carefully!
Seminar Policy:
Thank you for your interest in attending a woodworking seminar
with us at Olde Mill. It should be an exciting and rewarding
learning experience. The following is Olde Mill's Seminar
Attendance Policy. In order to sign up for a class, you must
pay a minimum deposit of $75.00 per person for a one or two
day class and a $200.00 deposit for a three or four day class,
each session. Full payment is due 4 weeks in advance of the class.
There will be no exceptions. Your full payment will ensure that
a space will be held for you in the class. We often have high
demand classes and have had to turn people away because the
class was full. Please comply with our policy or you may lose
your spot in the class.
Single Session Seminars:
In the event that you cancel attendance to a single session
seminar, you will be refunded ONLY if we are contacted in
writing a minimum of four weeks prior to the course. This
may be done by written US Mail or an email to Bess's email
address that is confirmed back to you by email. If you do
not provide us with proper notification, you will not be
refunded your money. Our cancellation of a class will
result in a complete refund. If you cancel attendence to a
class for any reason, without following the above-stated
policy, you are still expected to make full payment.
Multi-Session Seminars:
Due to the nature of on-going instruction with a more
complex piece, we cannot fill a vacant bench space after
a project has been started. If you cancel out of a class
60 days prior to the first session, then we will refund
monies paid minus a $75.00 cancellation fee. If you
cancel out of a class after the first session has been
held, full payment is expected for all remaining classes
of that project. Our cancellation of a class will result
in a complete refund.
Strict adherence to this policy will be
enforced for the mutual benefit of all involved. If you
have any questions about this policy, please do not
hesitate to call us. We greatly appreciate your cooperation.
Email seminar questions to Bess: oldemillseminars {a t} yahoo.com
{an anti-spam measure}
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